René Cardona · MEXICO · 1h 21min
Wrestlers are found dead at the coast of scenic Acapulco. Gloria, to all evil-doers of the world known only as Batwoman, starts to investigate...
March 27–29, 2026 · Oak Cliff, Dallas
The best of contemporary and retrospective Latin American cinema, curated for DFW.
All films screened with English subtitles · $10 per screening
2026 Program
René Cardona · MEXICO · 1h 21min
Wrestlers are found dead at the coast of scenic Acapulco. Gloria, to all evil-doers of the world known only as Batwoman, starts to investigate...
David Bim · CUBA · 1h 14min
Landi and Mercedes live in Cuba’s Zapata swamp, a biosphere reserve. To feed their sick child, Landi must secretly hunt crocodiles, leaving his wife and son behind for days on end. Amid social unrest and a global pandemic, To the West, in Zapata follows this loving family as they go to extreme lengths to survive, in a constant cycle of reunion and separation.
Alejo Moguillansky · Argentina, Switzerland · 1h 46min
A little girl and a blind man staring at a lake that blurs the limits of space. Two actors coming together as lovers to rehearse an old play in a southern country. Two old men living inside a rubbish bin in front of the Congress of that same southern country. A son in perpetual farewell with his aging mother, a blind pianist condemned to play Beethoven’s Moonlight, because it is the only piece she still remembers by heart. Two filmmakers, perhaps responsible for all of the above, shooting trains, moons, and devoting their time to an activity that no one knows if it still exists: cinema.
Francisco C. Martins, José Antonio Garcia · Brazil · 1h 43min
Women's football was banned in Brazil until 1983, the year Onda Nova was produced. This erotic and anarchist dramatic comedy brings together stories about the female players of a newly formed football team, who are forced to deal with the prejudices of a conservative society that reviles them, as well as grapple with their own personal problems.
Why this festival exists
They're not lacking quality — they're lacking distribution. Festivals are often the only way these films reach an audience outside their country of origin.
LAFFD started from a simple observation: DFW has a large, engaged Latin American community, and world-class Latin American cinema, and the two weren't meeting often enough. We set out to fix that.
About the festival →Every film is handpicked because we believe it deserves to be seen in Dallas.
All films screen with English subtitles. Materials in English and Spanish.
Volunteer-run and volunteer-organized. The festival is a labor of love.